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These are superb!A shot of one using its wings to see better.
249-studio-64 by Kirk Behymer, on Flickr
And a high key shot of the same on a bright, hazy morning.
198-studio2 by Kirk Behymer, on Flickr
Don't ride off feeling like the Lone Ranger, I get the "fog-brain" every day being a type 2 diabetic and hypoglycemic. Yeah, it sucks! Thanks for commenting and the compliments, they're greatly appreciated.I was wondering about the wingspread. The reason is so obvious that I’m slapping my head for not realizing it.
Another terrific set of images, Kirk. The high key shot is extraordinary.
Thank you, Levina! Cute is right! As you've probably guessed, I caught that when the wind slapped the back of his head. On windy days I'm always looking out for that to happen, it can produce some goofy looking birds. That one has the "Einstein" look, ha!Wonderful shots, Kirk. I love the high key shot.
He looks positively cute in “bad hair day” mode!![]()
Amazing!
657-studio by Kirk Behymer, on Flickr
Excellent shots, Kirk.934-studio by Kirk Behymer, on Flickr
Thank you, Levina. My Topaz 2 program actually names every picture processed "studio" when it saves the edit, I just add numbers to them. I just leave the 'studio' there. I don't want to change that with every pic I do. That's too much like work.Excellent shots, Kirk.
I like how you named them "studio"... The first shot especially is a studio-like portrait. And very nice indeed!
I often just lay further away in their path, sometimes in shallow water a couple inches deep and let them come to me. When you lay still, they get the sense you aren't a threat and walk right past you, sometimes too close to get focus on them. It's one of the reasons I bought my new Canon RF 100-500 lens, it can focus 3 ft. away vs 9 ft with my older 150-600 mm Tamron lens.How do you get so close to them?
Wonderful close-ups, Levina. You had a nice combo working for ya there. That 2nd portrait shot is a definite wall hanger.Two oldies. Taken with a Canon 5D classic and the EF 300/4L. I came from a 40D then and the files of the 5D just blew me away.
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Oh, I see. It's not unusual to speak of studio-portraits when talking about very clean bird portraits and especially your first shot I could totally see that.Thank you, Levina. My Topaz 2 program actually names every picture processed "studio" when it saves the edit, I just add numbers to them. I just leave the 'studio' there. I don't want to change that with every pic I do. That's too much like work.![]()
That's the trick! I do that too. Herons too. You lie down and be still and let them come to you.I often just lay further away in their path, sometimes in shallow water a couple inches deep and let them come to me.
Thanks, Kirk! The 5D files were truly awesome. I shot birds with it for about 6 months. It was the clunky AF that made me switch to a 1DIIn, which also had great files.Wonderful close-ups, Levina. You had a nice combo working for ya there. That 2nd portrait shot is a definite wall hanger.
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